Als professioneller Fotograf hat Austin Mann einige aufschlussreiche Anmerkungen zu den neuen iPhone-Kameras – so wie jedes Jahr. I found the sharpness to be favorable on iPhone 14 Pro, but I do feel many of the images I’ve shot are a bit too processed and/or over-sharpened. When this happens, I’ve been bringing the ProRAW filesweiterlesen

From what I understand, the way Night mode actually works is the camera captures a bunch of short exposures and slightly longer exposures, checks them for sharpness, throws out the bad ones and blends the good ones. On a traditional dSLR/mirrorless camera, a 5 second exposure is one single, continuous recording of the light throughoutweiterlesen

Since 2014, I’ve been torn about which iPhone model is right for me. When the iPhone 6 Plus came out, it was exclusively equipped with Optical Image Stabilization, giving it a photographic edge against its sibling, the iPhone 6. Of course I’ve always wanted the best camera possible in my iPhone, but the size ofweiterlesen

After shooting 100 portraits or so, I can easily say Studio Light is my favorite of the effects. It emulates a gold bounce card as if it is just outside of the frame, bouncing nice warm light into the face and eyes of the subject. It does a nice job of making the face subtly popweiterlesen

Ich mag Reviews, die sich auf eine einzelne Funktion stürzen. Austin Mann reiste in diesem Jahr mit dem iPhone 6s (Plus) in die Schweiz und bringt a) tolle Zeitrafferaufnahmen, b) (Vergleichs‑)Fotos mit der letzten iPhone-Generation und c) Testaufnahmen unter schwierigen Lichtverhältnissen mit. iPhone 6 is still an awesome camera, and now the 6s is anweiterlesen